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Soft Cell's Musical Force Dave Ball Passes Away, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) established Soft Cell with Marc Almond in Leeds during 1977

The talented musician, a key member of the groundbreaking 1980s synth-pop band Soft Cell, has passed away at the age of 66.

Alongside singer Marc Almond, the team scored a worldwide hit with their cover of Gloria Jones' the classic track Tainted Love in the mid-80s, and their first record their initial full-length release is considered a seminal work of synth-pop.

He later formed the pioneering techno group The Grid, who achieved popular acclaim with 1994's the hit Swamp Thing.

Ball died peacefully in his rest at his residence in London on October 22, only a short time after performing a featured performance with Soft Cell at the Rewind music event in Henley-on-Thames.

Recent Health Challenges

During that performance, Ball appeared in a wheelchair, as he had for the last two years, following a spate of ill-health.

"I managed to damage myself quite a bit," he commented in a recent interview. "I broke lower vertebrae in my back and fractured about multiple ribs and broke my wrist."

Following catching a lung infection and developing sepsis, he was placed in an medically-induced sleep and stayed in the hospital for seven months.

However, he had been in "high spirits emotionally" during the summer, as he was developing a new album with Almond, called the upcoming Danceteria, which is scheduled for release in the coming year.

"He was concentrated and so happy with the new album that we actually completed only a short time ago," stated the vocalist in a heartfelt message.
"It's so sad as next year was completely planned to be such an uplifting time for him, and I find comfort from the fact that he heard the completed album and believed that it was a masterpiece."
Soft Cell performing in the early 1980s
The band were at the vanguard of the electronic music scene in the early 1980s

Heartfelt Messages

Almond described his collaborator as "a wonderfully brilliant creative mastermind", stating: "He was the heart and soul of Soft Cell and I'm very proud of our legacy.

"Many thanks Dave for being an immense part of my existence and for the songs you gave me. I wouldn't be where I am without you."

His Grid bandmate from The Grid, shared his condolences, remembering Ball's "constant humor" and "unwavering friendship".

"Forming a duo with someone is distinct from joining a group, the bond is very tight," he continued.
"That's how it was with us. We went through so many extraordinary, extraordinary, memorable experiences together. Thank you, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in 2018

Early Life

Brought into the world into a one-parent family in Chester in the late 50s, Ball was given up for adoption when he was 18 months old.

He grew up in Blackpool with his new family Donald and Brenda Ball, who altered his first name from his birth name to David, together with his younger sister Susan, who was similarly welcomed.

He encountered Almond at an art college in 1977, where they were both studying art. Fuelled by a shared love of Northern Soul, they established Soft Cell the same year, and quickly produced an EP.

Musical Partnership

The pair were an distinctive pairing: Ball was the quiet musician, bent over his synthesizer, while Almond was a charismatic performer, all glitter and makeup; but they attained a unique musical alchemy.

Ball had developed a interest with synthesizers after viewing the band Kraftwerk perform on BBC science show Tomorrow's World, and started to marry dark electronica to the catchy tunes Almond was writing.

Their signature song became the United Kingdom's second biggest-selling single of the early 80s, shifting 21 million copies worldwide. Together with successful tracks by Gary Numan, Human League and Ultravox, it helped cleared the way for the electronic music style of the 1980s.

The song was also included on their full-length debut, Non-Stop Erotic Cabaret, which produced two further high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They continued the album up with the separate release, Torch, which peaked at number two in the following year.

Soft Cell in the studio
The duo were working on fresh songs until just before Ball's passing

Career Highlights

Fame had its benefits. "I enjoyed being able to afford my first home, having financial security and travelling, which makes me sound like a beauty queen," Ball not long ago told with a publication.

But it also presented problems. "Newfound wealth meant we could purchase substances to alleviate the monotony" of media interviews and TV performances, Ball explained.

"I know that's a cliché, but it's a cliché for a valid cause, because it works for so many musicians."

During the party-filled existence, the pair were also growing distant, but they succeeded to create a follow-up memorable record - the wayward, edgy and fittingly named The Art Of Falling Apart.

They put out another album, their 1984 release This Last Night In Sodom, before ending the band to concentrate on individual endeavors.

Almond went on to have a prosperous individual path, including the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who combined acid house with ambient pop over a long-lasting collaboration.

Reunions and Final Projects

Soft Cell reunited in the early 2000s, producing the Top 40 record Cruelty Without Beauty.

After another hiatus, they returned in 2018, issuing the original singles Northern Lights and Guilty (Cos I Say You Are) before staging what was intended to be a final performance at the large venue on 30 September, 2018.

However, they remained active, creating their latest project, Happiness Not Included, during the 2020 Covid lockdown.

Ball recently characterized the band's upcoming release as a tribute to the New York club scene they visited while recording their initial records.

He noted that his period in medical care had influenced the group's music.

"I experienced unusual memories when I was coming and going of hospital because I was on pain medication," he told a music magazine.
"Our latest tracks are a electronic representation of the sounds in my mind from those days.
"Simultaneously, it's about the experiences we got up to in the 1980s."

The last versions were completed only days before Ball passed away. It is due for release in the spring of 2026.

MW
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Maria Welch

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